TÉLÉCHARGER MUSIC HASSAN AYSSAR

The emergence of this group occurred in the general context of the social changes in the post-colonial Morocco. Nettghwi zun d teghwi tmmurghi gh igenwan ikk d lhif akal Salh Lbacha – Tafaska. The emigration rural migration in the Moroccan sociological terminology became an irreversible phenomenon. El Habib Ihihi Larbi Imghrane – Ajddig Nk Alloz. Bienvenue sur la chaîne Provisound Officielle!

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Commentaire cliquez sur Commentaire pour laisser un commentaire. The emergence of this group occurred in the general context of the social changes in the post-colonial Morocco. Founded at the end of the Sixties by a group of young people from newly urbanized families, Izenzarn is among the first Amazigh groups to modernize and radicalize the Amazigh song. Wad ittemuddun traveler , Wa zzin Oh! This reality is a world of fear, oppression and torture [tawda gh will ugharas fear in the paths , izîtti wuzzal iron bars , ur nemmut ur nsul neither alive nor dead After a disagreement, the group had split. El Habib Ihihi

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In the field of Amazigh Berber music, the experience of the group Izenzarn presents certain characteristics. The emergence of this group occurred in the general context of the social changes in the post-colonial Morocco.

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The emigration rural migration in the Moroccan sociological terminology became an irreversible phenomenon.

music hassan ayssar

The rural society settles in the town and is confronted at the same time with the violent process of integration and assimilation and with the social problems resulting from the hazsan management of country by the makhzenian Mafia. This situation requires the invention of new ayszar of poetico-musical expressions or the adaptation of the old forms to express at the same time the nostalgia of the origins and the anger towards the abusive policies.

music hassan ayssar

Mixing hassah and traditional instruments, these groups interpret songs, inspired by the ancestral tradition or expressing the current sensibilities of a generation coming from the first wave of the rural emigrants. Founded at the end of the Sixties by a group of young people from newly urbanized families, Izenzarn is among the first Amazigh groups to modernize and radicalize the Amazigh song.

After tribulations under different names, a first album is recorded in the year Thus starts the first season of the group, characterized by love songs such as: Wad ittemuddun travelerWa zzin Oh!

music hassan ayssar

Immi Henna My gracious mother In the beginning of the Eighties, Izenzarn embraces more protesting themes: The protest in Izenzarn’s songs is characterized by the challenge of the dominant speeches: Iggut lebrîh idrus may sellan igh islêh Plenty of speeches And yet Nobody listens to the reason and the harsh description of the reality: Nettghwi zun d teghwi tmmurghi gh igenwan ikk d lhif akal We are like grasshoppers taken between the skies and the dry grounds.

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This reality is a world of fear, oppression and torture [tawda gh will ugharas fear in the pathsizîtti wuzzal iron barsur nemmut ur nsul neither alive nor dead After a disagreement, the group had split.

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Two groups dispute the name: Izenzarn Iggut Abdelhadi and Izenzarn Shamkh. But, it is the first one that imposed itself due to the emblematic image of its main singer, Iggut Abdelhadi.

Nga butfala nnuda nili gh ugharas kullu mad ilan awwrz ar fllati ttakln lhaq imDlt uqqariD ig fllas ismkan wanna yad igan izm gin fllasn tidaf.